Epson says its projection technology was used to help create DATALAND, a large-scale installation centered on Refik Anadol’s work and described as the world’s first “Museum of AI Arts.” The company says 84 of its 4K large-venue projectors were deployed to transform the Data Pavilion into a seamless, multisensory environment.
The project brings together an internationally known media artist and a major display technology supplier. Anadol is identified in the release as the artist using the system, while Epson is the named provider of the projection hardware supporting the environment.
The announcement was issued from Los Alamitos, Calif., on Sept. 30, 2026, through PRNewswire. The source does not give a full site address for DATALAND, but it frames the work as a pavilion-scale experience rather than a conventional gallery display.
For architecture, engineering and construction, the significance is in how the installation relies on projection as a spatial medium. That points to a growing overlap between building-environment design, immersive media and digital storytelling, where surfaces, lighting and equipment become part of the overall architectural experience.
Operationally, the source emphasizes scale and integration: 84 projectors were used to create a unified visual field. That implies coordination across AV systems, room conditions and architectural surfaces, since the technology is meant to read as one continuous environment rather than a set of individual displays.
The release suggests that projects like DATALAND may shape how future cultural and exhibition spaces are conceived, with more attention to immersive media infrastructure from the outset. The facts come from Epson’s PRNewswire announcement dated Sept. 30, 2026.
